Peace Camp Lullabye
by WEFPJ Average Dyke Band - robin earth aka Robin Foster
PeHP Source: ADB songsheets 1985-87; PeHP GatherSing, 2008
PeHP Source: ADB songsheets 1985-87; PeHP GatherSing, 2008
"This song was written in 1985 after a long period of regular nightmares about US war in Central America, nuclear bombs, and violent men." ~ robin
Sing me a lullaby, lull me to sleep
with a song of the womyn, a song I can keep
throughout the night and all through my dreams
until I awake to what the new morning brings
Cuz I'd rather dream of womyn
than of nuclear war or men
I'd rather dream of womyn
sisters lovers friends
The world is in turmoil from rich men's greed
Women and children so often in need
I'm living my days fighting these wrongs
but at night I still need a sweet sister song
Cuz I'd rather dream of womyn
than of hunger and violence again
I'd rather dream of womyn
sisters lovers friends
So sing me a lullaby lull me to sleep
with a song of the womyn, a song I can keep
throughout the night and all through my dreams
until I awake to what the new morning brings.
with a song of the womyn, a song I can keep
throughout the night and all through my dreams
until I awake to what the new morning brings
Cuz I'd rather dream of womyn
than of nuclear war or men
I'd rather dream of womyn
sisters lovers friends
The world is in turmoil from rich men's greed
Women and children so often in need
I'm living my days fighting these wrongs
but at night I still need a sweet sister song
Cuz I'd rather dream of womyn
than of hunger and violence again
I'd rather dream of womyn
sisters lovers friends
So sing me a lullaby lull me to sleep
with a song of the womyn, a song I can keep
throughout the night and all through my dreams
until I awake to what the new morning brings.
* The Average Dyke Band (ADB) sprang up at the Women's Encampment for a Future of Peace & Justice in the summer of 1985. The theory they put into action was that songs, singing, and musical instrumentation were not the domain of an exclusive, talented few. They had found that far too many of their sisters fell silent musically because somewhere along the way they were told they didn't have a good voice, couldn't carry a tune, couldn't keep a beat. The ADB, then, was the musical counterpart to WEFPJ's consensus process philosophy and practice - every woman's voice would be heard. They were inclusive, they were average, and they had a damn good time.
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